THE SLOW RECOVERY OF THE HUMAN

Human Unreadable immerses audiences and collectors in a three-act, embodied, generative art experience. The acts weave together code, choreography, blockchain, generative art, cryptography, and performance into an evolving conceptual experience - the slow recovery of the human. The work brings flesh and viscerality into code and vulnerability [as a feature] into long-form on-chain generative art.

Each artwork is driven by the motion data of its underlying unique, on-chain choreographic sequence.

Human Unreadable intentionally punctures the safety of modernist design and the idea of a universal voice, pushing the limits of human expression within rigid technical systems. With a focus on the body, the collection brings risk, confusion, and vulnerability to the reveal, everything that function-focused design systems normally prevent. Each piece is an invitation, a transparent layer through which the messy human experience can come into focus through the three phases of the work. This work is a continuation of the rejection of modernism, clean lines, and the quietly gendered values therein, in favor of a more embodied and sensual approach to human-machine collaboration pioneered by early women in digital art.

X-Ray Machine

Ahead of the opening of Operator’s solo exhibition X-ray Machine: bodily confessions in glass, steel, and light at Fellowship gallery in London, Ania Catherine and Dejha Ti sat down with Micol Ap to describe the Human Unreadable journey from making dance collectable to creating a half-ton steel and glass sculpture, the X-ray machine.

CURATED COLLECTION

THE HUMAN BODY HIDING IN PLAIN SIGHT

  • On-chain generative choreography

  • Visual art driven by motion data of underlying on-chain movement sequences

  • An experiential artwork in three acts that begins on Art Blocks and ends in a live performance

Collection Size: 400

SOLD OUT

ACT II

UNCOVER HUMAN UNREADABLE CHOREOGRAPHIC SCORES

“OPERATOR HAVE MANAGED TO ADD SOUL INTO THE WORLD OF DIGITAL ART”

Erick Calderon
Founder, Art Blocks

OUTPUTS

Six distinct looks

Ingredients: Generative glass, x ray shader, human body, all via math/code & resolution agnostic.

HUMAN UNREADABLE IN THREE ACTS

I: REVEAL
Mint on Art Blocks

Act I: Completed May 24, 2023

II: UNCOVER

Mint & Uncover underlying choreographic Score

Act II: Completed November 24, 2023

III: WITNESS

Attend live performance

Act III: Forthcoming

Official & signed prints (on materials hand selected by the artists) will be available for purchase to Human Unreadable collectors.

OFFICIAL SIGNED PRINTS

OPERATOR’S METHOD

OPERATOR’S ON-CHAIN GENERATIVE CHOREOGRAPHY METHOD IS THE TECHNICAL BACKBONE OF HUMAN UNREADABLE.

A journal detailing the method framework and technical documentation, as well as the Operator’s custom developed tooling, will be made available. To be announced.

ON GENERATIVE CHOREOGRAPHY

WATCH THE ARTIST TALK

Operator’s “On Generative Choreography” talk hosted by Artnet and Metalabel recorded on April 12, 2023 in NYC.

The talk covers the artists’ philosophy and brief history, their generative choreography method, and a process view of the Human Unreadable - Privacy Collection (Lot 03). Followed by Operator in conversation with Art Blocks founder, Erick Calderon.

Timecode overview:

  • 0-10min: Artist Philosophy and History

  • 10-19min: Contextualization and history of the Privacy Collection starting in 2019

  • 19-43min:  Deep dive on the artists’ end-to-end process of creating the work “Human Unreadable” ending in a conversation with Human Unreadable engineer Isaac Patka

  • 53-1:07min: Conversation and reflections with Art Blocks founder, Erick Calderon

CREDITS

The spirit of Black Mountain College and E.A.T. (Experiments in Art and Technology) movement of the 1960s heavily influenced Catherine and Ti’s seven-year collaborative practice, and Human Unreadable is exemplary of their multifaceted work in bringing together conceptual art, technology, audience participation, and performance into a singular experience. With Ti’s extensive background as an HCI technologist and multimedia artist and Catherine’s background as a choreographer and performance artist, Operator architected a bespoke team of 25+ individuals ranging from specialized engineers to dancers, who embarked on a 9 month process to realize the work.

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HISTORY

PRIVACY COLLECTION